On a late rainy evening a young scientist, folklorist Andrey Belaretsky finds himself lodging overnight in a mysterious castle belonging to the Yanovskys, an old noble family. There he meets the hostess of the house, Nadzezhda Yanovsky, a neurotic young thing and the last descendant of her family. Fears and terrible premonitions, for which she believes to have substantial grounds, overpower her. The act of betrayal by her far ancestor Roman Yanovsky the Old brought the curse on the family for twenty generations to come, and has since claimed lives of all the young noble’s relatives under bizarre and unnatural circumstances. Nadzeya expects her nearing demise in terror, moreover supported by the recent signs of the upcoming tragedy. Ghosts of the Little Man and the Lady-in-Blue were sighted wandering around the castle, and out in the fields from time to time shows itself the Wild Hunt.
Belaretsky collects his wits and bravery, and decides to remain in the castle for a while to assist the hostess Yanovsky in getting rid of the ghosts, whose existence he dismisses wholeheartedly. Soon he beholds the appearance of strange creatures, along with several mysterious deaths in the cursed family’s circle. Finally, Belaretsky himself barely escapes the Wild Hunt, a group of twenty silent ghostly knights, dashing through the watery swamps and delivering death to everyone who obstructs their way. Driven by the desire to discover the truth to the horrible mystery of the Yanovskys, the young man resorts to whatever is available to him so as to stop the Wild Hunt and free the inhabitants of the Marsh Firs from their now nearly eternal fear. The stranger as he is, having unhallowed the ghosts of the cursed place, Belaretsky has yet much to learn indeed.
King Stakh’s Wild Hunt is a suspense mystery thriller, set against a historical background. The story kicks off from the book’s first pages, throwing the reader into the atmosphere of a dark intense fear before the inevitable. It doesn’t take long for the reader to begin anxiously accompanying Belaretsky on the swamps, meeting strange personae here and there, all of them either mad or scared, or hiding something important, and at times simply miserable.
The canvas of this detective story includes a personal theme of the author’s sad concern for his nation’s destiny. The search for the truth that unites the novella’s characters is in fact the author’s contemplation – which he passes on to the reader – of the society in the late XIXth century, its conditions and its prospects for the future.
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Uladzimir Karatkevich (1930-1984) was a Belarusian writer, poet, playwright, journalist and screenwriter, known as the creator of the Belarusian historical novel.
He was a teenager during World War II, when he was evacuated from Belarus to the Perm region in Russia. Only in 1944 was he able to return home, where, having concluded his high school education, he was accepted at the Kyiv State University in Ukraine where he achieved graduate and postgraduate degrees in Philology. Karatkevich also studied at the Institute of Cinematography and Higher Literature, worked as a school teacher and only later became a professional writer.
Beginning as a poet, after he had published several anthologies Karatkevich switched to prose, creating several works of classic Belorussian literature. His works almost entirely centre on the history of the Belarusian people, and specifically on the January Uprising of 1863-1965 and the Second World War.
Karatkevich was actively involved in historical research and archaeological excavations, reflecting his search for historical truth in his literary works, andin his lifetime he brought many interesting characters to life through his writing. One of the most famous metaphors about Belarus, describing it as “the land under white wings”, belongs to him.
- The Order of Friendship of Peoples (1980)
- The Ivan Melezh Award of the BSSR Union of Writers (1983) for novels Forget Must Not (Нельзя забыть) and Leonids Do Not Return to Earth (Леониды не вернутся на Землю).
- The Yakub Kolas BSSR State Prize for the novel The Black Castle in Halshany (Чёрный Замок Ольшанський) 1984, posthumously.
Endorsements and Review Quotes
“King Stakh’s Wild Hunt is at once a story so contained within its own history, it threatens to alienate any reader outside of its cultural design. And yet, the experiments in narrative fiction and the heightened sense of gothic drama seem perfectly accessible to a Western audience brought up on the brooding belletristic tragedies of Greek myth.” Imran Khan, PopMatters
On the romantic landscaping of Socialist Belarus and Uladzimir Karatkevich: Elena Gapova, Rethinking Marxism
“Uladzimir Karatkievic’s output has a significant role as a ‘guardian’ of the collective memory of Belarusians today. As an author of historical novels he acted as both a researcher and archivist of Belarusians’ history. Perhaps thus Karatkievic’s King Stakh’s Wild Hunt is book about the past and present. It proves his genius as an author and sensitivity as a”commentator on the Belarusian nation.” Paula Borowska, The Journal of Belarusian Studies
“I enjoyed the writing and the atmosphere.” Jean, Howling Frog Books
“I was also reminded of the moor scenes in Hound of the Baskervilles sometimes the places in this book at to the scary feeling of Hope the marshes near the castle reminded me of the Grimpen mire of Hound of the Baskervilles. I love that Glagoslav can publish writers like Karatkevich to us in English.” Stu Allen, Winstonsdad’s Blog
in Belarusian media:
King Stakh’s Wild Hunt by Uladzimir Karatkevich in English/ THE POINT JOURNAL
Camilla Stein’s interview for Radio Liberty (In Belarusian)/RADIO LIBERTY
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