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Tefil

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In Rafał Wojasiński’s new engaging masterpiece Tefil, we come across a curious – and eerie – situation. A young man named Rozmaryn finds a photograph depicting his mother in the company of a stranger.

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Translated by Charles S. KraszewskiNarrated by Tim Alen
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In Rafał Wojasiński’s new engaging masterpiece Tefil, we come across a curious – and eerie – situation. A young man named Rozmaryn finds a photograph depicting his mother in the company of a stranger. He lost both his parents at an early age, and never even knew his mother. So he sets off in search of that stranger, and this leads him to one of the most articulate, yet unsettling and possibly mentally handicapped characters as can be found anywhere in literature: Tefil. A balding and somewhat odiferous inhabitant of a garret flat in a sleepy town somewhere in Poland, never married, Tefil, who spent his working years as a village factotum, now exists as something of a self-interested Oxfam bin collecting the clothes of the dead.

He also goes to extreme lengths to avoid paying back insignificant debts and cadging pastries, coffee, and sometimes alcoholic dinners, from passers-by to whom he attaches himself like a tick. He also philosophises, disparaging the sense of human life, and singing a paean to “all-conquering mould”, which is the only living creature that cannot be destroyed (supposedly, it even survives being eaten and digested), and which is fated to overcome – to consume – all other life, including man and his civilisation. How does that make us feel, as human beings ourselves?

Rafał Wojasiński’s character is challenging, repulsive, and yet fatally attractive. Like Rozmaryn, we cannot tear ourselves away from his rushing stream of words and ideas, which fascinate us while filling us with existential dread. But is Tefil serious? Or is he just spilling an unending yarn, talking for the sake of hearing his unquestionably spellbinding voice? One hopes it is the latter, and it just might be. For Tefil is a poetic novel, something in the line of James Joyce’s Finnegans Wake; something of a literary equivalent to absolute music and non-representational painting. Standing before Wojasiński’s puzzling canvas, hearing his dissonant composition through to the end, the reader might be left bewildered – but will certainly not find his time spent with Tefil unrewarding.

 

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Author

Rafał Wojasiński

Pages

210 pages

Book Format

Hardcover, Paperback, EPUB, Kindle

Publication date

29th June 2024

Author

Rafał Wojasiński

Rafał Wojasiński (born 1974) is a celebrated author of fiction and drama and a winner of the Józef Mackiewicz Literary Award. Among his works are Złodziej ryb (The Fish Thief, 2004), Stara (The Old Woman, 2011) and Olanda (2018), as well as the plays Długie życie (A Long Life, 2017), Dziad Kalina (Old Man Kalina, 2018) and Siostry (Sisters, 2019). Many of his dramatic works have also been performed as radio plays, and Stara was adapted for the Polish Radio Theatre by Waldemar Modestowicz. His works have been translated into English, French, Spanish and Bulgarian, and have been nominated for the Gdynia Drama Award (for Siostry, 2019), the Marek Nowakowski Literary Award (2019, for Olanda) and the Award of the Capital City of Warsaw (2022, for Tefil).
Rafał Wojasiński - Portrait

Translator

Charles S. Kraszewski (born 1962) is a poet, novelist and translator working in English and Polish. He is the author of three volumes of original verse in English and two in Polish, and of the satirical novels Accomplices, You Ask? and At the Tone. He translates from Polish, Czech and Slovak; his translations for Glagoslav include Adam Mickiewicz’s Forefathers’ Eve, Tytus Czyżewski’s A Burglar of the Better Sort, and Rafał Wojasiński’s Olanda and Tefil. He is a member of the Union of Polish Writers Abroad (London) and the Association of Polish Writers (SPP, Kraków). In 2022 he received the Gloria Artis medal from the Polish Ministry of Culture, and in 2023 the ZAiKS award for translation into a foreign language.

Endorsements and Review Quotes

“There is no doubt that Tefil is a splendid creation.” The Modern Novel

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